Review - Urusei Yatsura
February 19, 2008 – 5:18 pmReview by Roriconfan
Animation & Sound: 6
Very old style but will stay adorable no matter how many years pass. This series has memorable character figures, distinguishable voices and behaviors, a huge heart-warming variety in backgrounds and humor that still gets to you without needing realism, CG graphics or unbelievable visual effects.
Rejecting the series because of the old graphics and sound is NOT an excuse. You can consider yourselves shallow people that only judge a book by its cover, if you do. Plus, most episodes make several image and sound references to very known movies, traditions and myths (of the 80’s and before, that is) making most episodes a parody of every renowned title you can think of. The rest are funny, every day situations, with the characters experiencing new pleasures or taking part in weird games and contests. So, this department has no significance over the real value of the series.
Story: 5
A common trademark of all of Rumiko Takahashi’s works is the stale and unfinished scenarios (with Maison Ikkoku being an exception to the rule). The series begins with a story, spends a few episodes introducing the characters and then stops having continuity. All episodes are stand-alones and only those introducing recurring characters or another attempt at a given situation can be called to have an on-going scenario. Beyond that, no matter what happens in the end of an episode, it will have no effect in the beginning of the next. So, the series is focusing on one-episode story arks and not on an evolving story with a beginning and an end. I give 3 for the main scenario and 7 for the episodes with recurring characters / situations, for an average mark of 5.
Characters: 9
A major plus of the series. Almost all characters are hilarious and become easily memorable in a few episodes.
Lum: A cult anime babe, Lum is a skimpy dressed alien, part of a race that resembles the mythical Oni of Japanese mythology. She is unfamiliar with Earth traditions and constantly invents contraptions that cause world-changing situations. And all just to please, she thinks at least, her “Darling†boyfriend-wanna-be Ataru. She can be seen as the opposite of the perfect Japanese woman stereotype, as she tries to please her man, without caring about rules, tradition or morality.
Ataru: The epitome of sleaziness, Ataru is a sex fiend that doesn’t care about manners if he can grope some girly skin. He constantly chases beautiful women and ends up being chased by the women who are in love with him and the boys who envy him for having so many women in his life. His action also cause world-changing situations and is world-wide known as the most hated and unlucky person in history. The one theme which stays constant in the series is the true love between Lum and Ataru, despite his flawed nature. In many episodes they have opportunities to part ways, but always the two come back to each other. Some of the best dramatic moments in the series are in these episodes.
Shinobu: The epitome of the perfect Japanese woman stereotype, until she gets angry and brakes mens’ faces with throwing desks. She is supposed to marry Ataru but constantly tries to have a romantic and happy relationship with a handsome man. She only ends up being disappointed and desk-throwing angry.
Cherry: A Buddhist priest that is supposed to help Ataru become an enlightening man but only ends up stealing food and causing trouble with his selfish misconceptions.
There are a dozen other beautiful women that circle Ataru from time to time, giving the series a hint of harem anime. We have a nurse exorcist, a snow queen, a crow princess, a cute Lolita with murdering tendencies, a cross-dresser girl raised as a boy, a motorcyclist gang member and many others. There are a hundred more secondary characters that spice up the story even more, from the ashamed-for-their-son Ataru’s parents, to Lum’s ex-fiancé, to Ataru’s geek classmates.
To sum it up, most characters are essentially reverse stereotypes of the ideal images of Japanese people. You must be well aware of Japan’s traditions if you want to “get the joke†but even if you are not, they are still very funny most of the time.
Value: 10
A must-series for all otakus with a taste for quality. It still is amongst the longest and best comedies around. Its humor is a parody of the Japanese culture and its stereotypes, becoming a sort of self-criticizing essay on Japan’s history.
Every romantic comedy anime in the last 20 years owes something to this series. The most famous Love Hina, for example, offered nothing new in the comedy genre. Urusei Yatsura on the other hand FOUNDED most stereotypes and allowed other series to build their fame on those.
The series has a pretty high rewatch value, since you can start at any episode and you are almost guaranteed a good laugh without spoiling any story continuity (because there isn’t any).
Enjoyment: 8
1/5 of the episodes are not funny at all. But the rest made me laugh until I cried. A great series, indeed.
